Marc Monzó has based this collection on traditional Western language and classic imagery to provide them with a new twist from his own personal interpretation.

By stylizing the baguette cut to a greater degree than usual, Monzó endows these pieces with certain possibilities that he has explored until the end.

His baguettes frame emptiness to celebrate it, superimpose themselves to create a paradoxical play of shadows or interrupt lines to reinvent the reflections of their luster.